Will Power : From war-torn beginnings to First World -riches : Freddy Will talks hip hop

On a cool Friday afternoon in November, journalist, reporter and photographer Melissa Bessey arrived at FREDDY WILL’S ™ new home in Toronto.  She sat down with FREDDY WILL to talk about his life, his musical journey and his thoughts on the music industry.  (Article can be read online here http://swaymag.ca/music3.php.) Sway is the Premier Lifestyle Magazine for African and Caribbean Canadians that’s thought provoking, uplifting, inspirational, and motivational.  Its mission is to entertain, empower and educate, with a voice that reflects the successes, accomplishments and pride of Canada’s Black communities.    
 
Sway has a circulation of 50,000 with an exclusive distribution through the Gateway Newsstand locations which are located within the Toronto Transit Commission (TTC) which is Toronto’s transit system.  With yearly ridership of over 460 million customers, the TTC has one of the highest per capita ridership rates in North America. Sway magazine is also distributed in 2,500 Dreamboxes and strategic retail outlets, including Chapters/Indigo. 
 
FREDDY WILL’s article in the Music section of Sway magazine or again, can be found online at http://swaymag.ca/music3.php, at your nearest Gateway

THE ARTICLE :

Will power : From war-torn beginnings to first-world riches; Freddy Will talks hip-hop

BY: Melissa Bessey

How does the son of a high powered diplomat go from the war-torn streets of Freetown, Sierra Leone to staging concerts across North America? For Wilfred Kanu Jr., a.k.a. Freddy Will, the answer is with passion, perseverance and sheer determination. Sway caught up with the rapper/entrepreneur at his new home in Toronto.

How has your African background influenced your music?
I've listened to hip-hop my whole life, but I've only been in the game since 2006. I'm really an underground rapper and heavily influenced by Africa because I grew up there and it was a whole different world. Now it's being recognized worldwide, but back in the early '90s, nobody gave a damn about Africa so I have a different perspective from everybody else. Right now hip-hop is reforming itself and it is probably the only genre in the music industry where independent artists are making money.

As the music industry moves in a direction where independent artists can control their own careers, what do you think artists need to focus on to succeed?
I think that artists need to learn how to tap into the internet, and I'd suggest getting their own blog. What counts is the numbers and where the money is at — at the end of the day, money counts. With music, it's not because of the money. The key is that it opens a lot of doors. If you're an artist and your stuff is online, you still have to be able to show that it's effective and the only way it will be is if you can see there's money behind it. For example, if you're doing a photo shoot or video and people can see that it must have cost a pretty penny, people are going to respect that because there's production behind it and it wasn't just done in the backyard. You have to back your internet game up with substance.

FREDDY WILL is the son of Sierra Leonean diplomat to the UN, Rev. Leeroy Wilfred Kabs-Kanu

 

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